ABC 9 ISO Egg: The Passion of Matt Searles
Friday, October 26th, 2007Coming up shortly in the podcast is a series of episodes on music production. As a part of entering into this area I thought it might make sense to share some of my adventures in music production… In part because it might help give you a road map that might, in one way or another, be instructive to your own adventure. And of course.. don’t be afraid to ask questions… (url @ gmail.com)
So, allow me to give you the story of the ISO Egg production:
1. On the Philosophy of Production:
ISO is a horribly flawed piece of music… as I listen to it today I can see in it what I take to be a certain brilliants… it sounds to me like “out sider art.” Outsider art would be art that is not produced by “the in crowd.” It’s all wrong from the vantage point of established thinking on anything.. and there in lys it’s brilliants to my ears.. There is a kind of experimental exploration… of things that the in crowd’s morality, to put it a certain way, keeps them from exploring…. What strikes me as brilliant about it is that.. even in the world of what is horribly wrong with it.. it’s like some… . its like a voice from far far out there… speaks to us from this other reality.. truths that our reality, perhaps, wouldn’t quite get.
Latter:
As of my writing this I’m listening to Cornel West’s Democracy Matters. To get a feel for what sorta public intellectual West is, you can watch an interview with him for Book Notes on his Cornel West Reader, by clicking here. Democracy Matters is one of my favorite books of West’s as it gives me hope for democracy.. it wrestles with the darks side of “The American Empire.” This is a somewhat long and complicated story.. that would seem to swerve far away from our subject of music production.. but it speaks to the question of art.. Basically.. in West’s views you have these two posing strands which he calls the Constantinian and the Prophetic traditions.
Basically the Roman Emperor Constantine made Christianity the official state religion… Where as traditionally Christianity was suspicious of power (having the living embodiment of your God dying on a Roman cross will do that to a people.) Constantine’s assimilation of Christianity into the Roman Empire was at least in part a way of dealing with the rise of a political threat to the empire.. aka Christianity. (Which the trusty Roman cross, apparently, wasn’t quite powerful enough to put down.) So, as with anything else that started as a good thing, the story goes that Christianity was forever corrupted by the power influx made possible by Constantine. The prophetic Christian tradition.. the sorta thing you’d find in the Gnostics… with there Gospel of Thomas and what not… had a more buddhist idea about the nature of Christ then the one we’ve generally grown familiar with. Without getting too deep into this, basically the ramifications of these sorts of ideas is that the prophetic tradition is less able to be assimilated into power.. less given to a situation of power concentration.. more interested in a kind of “freedom of religion.”
The tension of these two traditions, West see’s at the center of “Democracy Matters.” We see the constantinian tradition embodied in the George Bush administration, in various strands of Christian Fundamentalism.. and any place where we see an American Imperialist / nihilist tradition masquerading in Christian garb.
That I use the tag line “America’s Favorite Mystic Prophet Philosopher Artist” ought to tell you something of where I stand in these things. My relationship to concepts of right and wrong with things like production values.. are an expression of a prophetic longing.. and to some extent ISO EGG becomes my cross baring..
All of this is terribly complicated and I don’t think I could quite explain it all here.. But there is a sense where I am rethinking everything from music composition, production, business, etc.. in part in order to find a new existential relationship between art and market place, with artist and market place.. in light of social media… That is, what we are talking about as central in all of this social media stuff, it seems to me.
To further talk about this I’d like to link to an episode of “Philosophy 6, God, Man, and Society in Western Literature” which is a course given at Berkeley.. In particular Tue 3/6 Gospel of John. Where we learn about “reconfigures and Articulators.” ISO Egg is my attempt at reconfiguring… the challenge we face in listening to it.. is that there are no articulators. So I may just seem crazy…
The Technology Used:
As far as I am able to understand ISO Egg was finished off in 2001. It was made on a G4 Power Mac.. in OS9. With Cubase (Digital Audio Workstation), ReBirth (early virtual synthesizer / pattern sequencer / drum machines, effects), Reason (sorta like a more powerful version of ReBirth), Unity DS-1 (Software Sampler), the LMR-4 (Drum Sampler), The Waldorf Attack (percussion synth), Model E (analog synth emulation).. all of which are virtual synthesizers that run on your computer.. Also, there was a digitech guitar effects processor on my guitar.. a motu 828 audio interface… the Korg NS5R synth modual, and the Kawai GMega synth module.. an Epiphone Les Paul… and Pluggo (effects software)… and there’s probably some other odds and ends.
Artists, Influences, and people depicted in the show.
Def Leppard
Megadeth
Black Sabbath
Ozzy Osbourne
Jake E Lee
Zakk Wylde
Rhandy Rhoads
Frank Zappa
Scott Dakota (who’s currently in the Valhalla Kittens)
Matt Sencio — I was having trouble finding a good link on Matt.. but he is mentioned on this wikipedia thing for The David Lee Roth radio show..
And I suppose we’ll leave the madness at this!
Track List:
ISO “The Place”
Likes it Rough
This One’s For the Kiddies
Ed Speaks
Walls
Rock and Roll-E
Journey
In The Woods
A Star Is Born
Little Fairy Boats
Funk-A-Delica
Alien Wake Up
Y God Lets Evil Roam Free
Space Out
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